「草莓糖 Strawberry Candy」

創(chuàng)作者Designer(s)／學(xué)校所在地Location of School／學(xué)校School

李念澤／日本／東京藝術(shù)大學(xué)

Nianze Li／Japan／Tokyo University of the Arts

年度大獎(jiǎng)評(píng)語 Jury Comments

Gitanjali Rao | 印度 India

A very mature and difficult subject handled very sensitively by the student. The graphic style inspired by children's drawings, also lends beautifully to understand a child's fears as well as her innocence.

《草莓糖》是一部探討嚴(yán)肅的議題細(xì)膩學(xué)生作品。動(dòng)畫畫風(fēng)宛如兒童畫，這支動(dòng)畫讓我們對(duì)片中小女孩的恐懼和純真都有更進(jìn)一步的認(rèn)識(shí)。

Katie Naeher Kaliniak | 紐西蘭 New Zealand

"This work was beautifully done. A very interesting style, and very playful - a stark contrast to the story lying ahead. Such a deep and difficult topic to portray, but depicted in a relatable manner. This film definitely struck a chord in me, knowing that these terrible things happen all too regularly in society behind closed doors. The way in which they alluded to exactly what was happening was very creative, rather than pushing the issue straight in your face was. Their use of transitions between scenes was very nice and effective too. A great work, deserving of a high honour."

這部動(dòng)畫是上乘之作，畫風(fēng)有趣中帶點(diǎn)俏皮，可是，接下來的故事發(fā)展與俏皮和有趣完全搭不上邊。處理這種深刻又困難的主題實(shí)屬不易，不過，動(dòng)畫師的卓越技巧讓觀眾能夠與主題產(chǎn)生共鳴。這部動(dòng)畫也深深打動(dòng)了我，因?yàn)槲抑绖?dòng)畫中描述的那些可怕事件，確實(shí)在世界上的各個(gè)角落不斷上演。動(dòng)畫師巧妙地影射主題，而不是直接將家暴和性侵大剌剌地?cái)[到螢?zāi)簧稀＿@支動(dòng)畫的場(chǎng)景轉(zhuǎn)換十分流暢，《草莓糖》的確是一部?jī)?yōu)秀的動(dòng)畫作品，作為年度大獎(jiǎng)當(dāng)之無愧。

Kim Keukeleire | 比利時(shí) Belgium

“Strawberry Candy” has really touched me and I believe it is a very disturbing and yet still taboo issue. It is not easy to talk about the children sexual abuses and you did it with such a soft and subtle approach. Even though it is impossible to feel what victims are enduring, I feel like I could be in that little girl head. You describe so well the subterfuges and the explanations used by the little girl to cope with this horrible reality. Without ever saying what is happening, we understand slowly but surely what is going on. The aesthetic is just beautiful and the voice over so convincing. The narration is a perfect balance between the soft and sweet visuals and the horror of what is going on. Truly, big bravo to you and thank you for approaching this very difficult subject.

《草莓糖》讓我無比動(dòng)容，我認(rèn)為討論這樣的主題在社會(huì)上還是有一定程度上的禁忌，《草莓糖》用溫柔又幽微的手法探討兒童性侵的議題。我知道我們很難親身感受性侵受害者的可怕經(jīng)歷，但是，《草莓糖》這支動(dòng)畫讓我對(duì)小女孩的內(nèi)心世界有更進(jìn)一步的了解。動(dòng)畫師用巧妙地手法，描述小女孩是如何想出各式各樣的借口，意圖淡化自己遭受性侵的恐怖現(xiàn)實(shí)?！恫葺恰窐O具美感，旁白也十分有說服力。敘事結(jié)構(gòu)在柔美的視覺效果和可怕的現(xiàn)實(shí)間取得完美平衡?！恫葺恰氛娴氖且徊亢馨舻淖髌?，非常感動(dòng)有人愿意探討這類主題。

Kevin Swanepoel | 美國(guó) United States of America

The Grand Prix winner was an incredible piece of storytelling ... "Strawberry" Like most pieces of great work it should make you feel something ...This piece of work made me feel uncomfortable, angry, and emotional - Children are innocent and the relationship with older family members should be one of love and should bear fond memories, sadly in this powerful animation it was not the case.

拿下年度大獎(jiǎng)的《草莓糖》善于敘事，如此精彩的作品鐵定會(huì)使觀眾產(chǎn)生情緒上的共鳴。影片結(jié)束后，不適、憤怒、情緒化的種種感受一擁而上。兒童本該天真無邪地快樂成長(zhǎng)，家庭里面本該充滿愛和各種美好的回憶，但在《草莓糖》里并非如此。

紀(jì)柏舟 | 臺(tái)灣 Taiwan

本支動(dòng)畫令人驚艷與震撼。它用非常內(nèi)斂與反差的手法，以及高的藝術(shù)性闡述了家暴與性侵的可怕。片中以兒童畫的畫風(fēng)和筆觸，以一種純真、美好的口白開場(chǎng)，卻在中段慢慢墮入黑暗，令人背脊發(fā)涼、不忍直視。天真的口白到后來卻變成了無知、可怕的夢(mèng)靨，不斷牽著觀眾的情緒與感知，渲染力之強(qiáng)，在學(xué)生作品中非常少見。片中不斷以"手"的意象做對(duì)比，在溫柔的筆觸中殘忍的揭露陰暗，并將故事與畫風(fēng)做極大的反差，高明的手法讓人印象深刻，是近年來少見如此杰出的學(xué)生動(dòng)畫作品。不論從故事立意、畫面表現(xiàn)、媒材選擇、以及口白設(shè)計(jì)上，都頗具藝術(shù)高度與大將之風(fēng)，值得當(dāng)選全場(chǎng)大獎(jiǎng)。

It is a stunning and breathtaking animation. This animation is depicted in a highly aesthetic manner. The animator finds a brilliant way to draw a contrast between its sweet graphic style and the horrible aspect of reality. Strawberry Candy is done in a children's drawings manner. This animation starts with an innocent and sweet voice over that soon becomes so dark and horrifying to a point where you’d feel a chill down your spine as the story proceeds. The innocent voice over becomes an ignorant and terrifying nightmare that controls emotions and senses of the audiences. It is so rare that a student’s work can be so well-executed and infectious. The image of hand is constantly used to draw a striking contrast between the cruel story and the soft graphic style. The brilliant techniques are impressive. This kind of quality pieces is rarely seen among students. The subject, graphic, media and voice over are all brilliant. It’s a beautiful animation that deserves to be awarded.

莊絢淳 | 臺(tái)灣 Taiwan

這是個(gè)很高級(jí)有人性的動(dòng)畫，我們都知道孩子生如白紙，每個(gè)父母都用心用愛帶給孩子豐富的色彩讓孩子這樣的畫布滿載愛，而故事中的小女孩被爺爺多次猥瑣而沾染上"大人顏色"，深深的、臟臟的、 濁濁的、 痛痛的，讓孩子甚至分不清現(xiàn)實(shí)或夢(mèng)境，小女孩的溫溫的自白與把"沾染"視覺化，讓整個(gè)故事扣人心弦心痛不已，故事結(jié)尾孩子瑟縮在大紙箱的陰影處更是沖撞我們的感官，是個(gè)非常棒的一部作品。

This is a comprehensive and a quite human animation. We all know that child is born a blank slate and parents will paint it with color of love. However, the little girl’s was contaminated by her grandfather’s dark, dirty, obscure and painful color. The girl even loses the ability to distinguish reality from dreams. The soft voice over visualizes the process of contamination and makes this story relatable. At the end of the animation, the scene of the girl curling up in fear under the shadow of a box is so stunning that it has aroused strong emotions in all of us. Strawberry Candy is indeed an excellent piece of art.

初選-數(shù)位動(dòng)畫類活動(dòng)紀(jì)實(shí) 2020/8/29-8/30

Preliminary Selection- Jury of Digital Animation Category

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2021臺(tái)灣國(guó)際學(xué)生創(chuàng)意設(shè)計(jì)大賽執(zhí)行小組

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