繪畫(huà)藝術(shù)學(xué)院年展獎(jiǎng)
  首屆繪畫(huà)藝術(shù)學(xué)院年展評(píng)審委員會(huì)從參展作者里評(píng)選出10名獲獎(jiǎng)作者，獎(jiǎng)金由廣州市大藝文化藝術(shù)基金會(huì)獨(dú)家贊助。
  金獎(jiǎng)1名，人民幣30000元；銀獎(jiǎng)1名，人民幣20000元；銅獎(jiǎng)8名，人民幣10000元。
  獎(jiǎng)金額為稅后額，不包含任何限制性附加條件，金獎(jiǎng)和銀獎(jiǎng)的作者還可以獲得盒子美術(shù)館個(gè)人駐留及駐留展權(quán)利一次，保留2年。
  年展評(píng)審委員會(huì)
  首屆繪畫(huà)藝術(shù)學(xué)院年展評(píng)審委員會(huì)評(píng)委：陳海濤，崔燦燦，胡斌，何桂彥，施勇，邵舒，徐文，俞可。
  陳海濤，1996年畢業(yè)于魯迅美術(shù)學(xué)院。自2005年起，創(chuàng)辦站臺(tái)中國(guó)當(dāng)代藝術(shù)機(jī)構(gòu)，在近20年中深耕中國(guó)本土藝術(shù)，已策劃并發(fā)起數(shù)百場(chǎng)展覽。伴隨著中國(guó)當(dāng)代藝術(shù)的歷程，推出了諸多具備代表性與國(guó)際影響力的藝術(shù)家，不斷發(fā)掘并梳理新的價(jià)值與方向。
  Chen Haitao graduated from Lu Xun Academy of Fine Arts in 1996.Since 2005,we have established the Platform China Contemporary Art Organization and have been deeply cultivating local Chinese art for nearly 20 years.We have planned and launched hundreds of exhibitions.Along with the process of contemporary Chinese art,many representative and internationally influential artists have been introduced,constantly exploring and sorting out new values and directions.
  崔燦燦，策展人、寫(xiě)作者。從2012年開(kāi)始策劃160多場(chǎng)展覽和活動(dòng)，代表的群展包括夜走黑橋、鄉(xiāng)村洗剪吹、不在圖像中行動(dòng)、六環(huán)比五環(huán)多一環(huán)、十夜、萬(wàn)丈高樓平地起、2015-2019過(guò)年特別項(xiàng)目系列、策展課、九層塔、新一代的工作方法、小城之春、斷裂的一代、游牧在南方等。
  Cui Cancan,curator and writer.Starting from 2012,more than 160 exhibitions and events have been planned,representing group exhibitions such as walking on the Black Bridge at night,washing,cutting and blowing in the countryside,not acting in images,having one more ring than the Fifth Ring Road in the Sixth Ring Road,ten nights,towering buildings and starting from the ground,the 2015-2019 Chinese New Year special project series,curation classes,nine story towers,new generation work methods,the spring of the small town,the broken generation,and nomads in the south.
  胡斌，出生于湖南長(zhǎng)沙。本科、碩士畢業(yè)于廣州美術(shù)學(xué)院美術(shù)史系，博士畢業(yè)于中國(guó)藝術(shù)研究院。曾在廣東美術(shù)館編輯部、廣州三年展辦公室、廣州美術(shù)學(xué)院美術(shù)館工作，并任學(xué)院美術(shù)館常務(wù)副館長(zhǎng)，現(xiàn)為廣州美術(shù)學(xué)院藝術(shù)與人文學(xué)院院長(zhǎng)、教授。專(zhuān)注的研究方向有中國(guó)革命美術(shù)史、中國(guó)現(xiàn)當(dāng)代藝術(shù)展覽史，長(zhǎng)期從事現(xiàn)當(dāng)代藝術(shù)的批評(píng)與策展。展覽曾獲得文化和旅游部全國(guó)美術(shù)館館藏精品展出季優(yōu)秀項(xiàng)目、全國(guó)美術(shù)館優(yōu)秀展覽項(xiàng)目。著有《視覺(jué)的改造：20世紀(jì)中國(guó)美術(shù)的切面解讀》《何以代表“中國(guó)”：中國(guó)在世博會(huì)上的展示與國(guó)家形象的呈現(xiàn)》等。
  Hu Bin,born in Changsha,Hunan.I graduated with a bachelor's and master's degree from the Department of Art History at Guangzhou Academy of Fine Arts,and a doctoral degree from the China Academy of Art.I have worked in the editorial department of Guangdong Art Museum,Guangzhou Triennial Exhibition Office,and Guangzhou Academy of Fine Arts Art Museum,and served as the executive vice director of the academy's art museum.Currently,I am the dean and professor of the School of Art and Humanities at Guangzhou Academy of Fine Arts.My research focuses on the history of Chinese revolutionary art and the exhibition history of Chinese modern and contemporary art,and I have been engaged in criticism and curation of modern and contemporary art for a long time.The exhibition has won the Excellent Project of the National Art Museum Collection Exhibition Season and the Excellent Exhibition Project of the National Art Museum by the Ministry of Culture and Tourism.He has authored works such as"Visual Transformation:A Perspective Interpretation of 20th Century Chinese Art"and"How to Represent"China":China's Exhibition at the World Expo and the Presentation of National Image".
  何桂彥，四川美院藝術(shù)人文學(xué)院教授、博士研究生導(dǎo)師、四川美院美術(shù)館館長(zhǎng)，四川美院當(dāng)代藝術(shù)研究所所長(zhǎng)。中國(guó)批評(píng)家年會(huì)學(xué)術(shù)委員、中國(guó)策展委員會(huì)委員、中國(guó)雕塑學(xué)會(huì)理事、中國(guó)油畫(huà)學(xué)會(huì)理事；重慶市策展與藝術(shù)理論委員會(huì)主任、重慶雕塑學(xué)會(huì)副會(huì)長(zhǎng)、重慶文藝評(píng)論家協(xié)會(huì)副會(huì)長(zhǎng)。四川美院美術(shù)學(xué)國(guó)家一流學(xué)科學(xué)術(shù)帶頭人，藝術(shù)學(xué)理論學(xué)科帶頭人。研究領(lǐng)域有歐美現(xiàn)當(dāng)代藝術(shù)、藝術(shù)批評(píng)與展覽策劃、中國(guó)當(dāng)代藝術(shù)思潮等。個(gè)人國(guó)家級(jí)項(xiàng)目3項(xiàng)，重慶市級(jí)科研項(xiàng)目2項(xiàng)。曾在國(guó)內(nèi)學(xué)術(shù)期刊《文藝研究》、《美術(shù)研究》、《藝術(shù)當(dāng)代》等發(fā)表批評(píng)文章70余篇，共50萬(wàn)字。2004年以來(lái)，曾策劃數(shù)十個(gè)當(dāng)代藝術(shù)展，如：“1976-2006鄉(xiāng)土現(xiàn)代性到都市烏托邦：四川畫(huà)派學(xué)術(shù)回顧展”、“清晰的地平線——1978年以來(lái)的中國(guó)當(dāng)代雕塑展”、“社會(huì)風(fēng)景”——當(dāng)代藝術(shù)邀請(qǐng)展、“當(dāng)代雕塑的方位”——2013年大同國(guó)際雕塑雙年展（主題展策展人）、“日常之名”——中國(guó)當(dāng)代藝術(shù)中的日常話語(yǔ)與觀念生成、“神話、敘事、想象——當(dāng)代藝術(shù)邀請(qǐng)展”、“形式烏托邦”——中國(guó)當(dāng)代藝術(shù)中的形式表達(dá)與文化觀念、“人民·歷史”——20世紀(jì)中國(guó)美術(shù)研究展（聯(lián)合策展）、“社會(huì)劇場(chǎng)”——第四屆重慶青年美術(shù)雙年展、“共同的神話”——第二屆安仁雙年展（聯(lián)合策劃）、“與時(shí)代同行——四川美院建校80周年展”（聯(lián)合策劃）、成都雙年展（聯(lián)合策劃）、“星漢燦爛——現(xiàn)代美術(shù)在重慶（1937-1949）”等。
  He Guiyan is a professor and doctoral supervisor at the School of Arts and Humanities of Sichuan Academy of Fine Arts,director of the Sichuan Academy of Fine Arts Art Museum,and director of the Contemporary Art Research Institute of Sichuan Academy of Fine Arts.Academic member of the Chinese Critics Annual Conference,member of the Chinese Curatorial Committee,director of the Chinese Sculpture Society,and director of the Chinese Oil Painting Society;Director of Chongqing Curatorial and Art Theory Committee,Vice President of Chongqing Sculpture Society,and Vice President of Chongqing Literary Critics Association.The academic leader of the national first-class discipline of Fine Arts at Sichuan Academy of Fine Arts,and the leader of the discipline of Art Theory.
  Research areas include European and American contemporary art,art criticism and exhibition planning,and contemporary Chinese art trends.3 individual national level projects and 2 Chongqing municipal level scientific research projects.I have published more than 70 critical articles,totaling 500000 words,in domestic academic journals such as Literature and Art Research,Art Research,and Contemporary Art.Since 2004,he has planned dozens of contemporary art exhibitions,such as"1976-2006 Rural Modernity to Urban Utopia:Sichuan School of Painting Academic Review Exhibition","Clear Horizon-Contemporary Chinese Sculpture Exhibition Since 1978","Social Landscape"-Contemporary Art Invitation Exhibition,"The Direction of Contemporary Sculpture"-2013 Datong International Sculpture Biennial Exhibition(Theme Exhibition Curator)"The Name of Everyday"-The Generation of Daily Words and Concepts in Contemporary Chinese Art,"Myth,Narration,Imagination-Contemporary Art Invitation Exhibition","Form Utopia"-The Form Expression and Cultural Concepts in Contemporary Chinese Art,"People·History"-20th Century China Art Research Exhibition(Co curated),"Social Theater"-The Fourth Chongqing Youth Art Biennale"Common Myth"-Second Anren Biennale(co planned),"Walking with the Times-80th Anniversary Exhibition of Sichuan Academy of Fine Arts"(co planned),Chengdu Biennale(co planned),"Splendid Star Han-Modern Art in Chongqing(1937-1949)",etc.
  施勇，1963年出生于上海。1984年畢業(yè)于上海輕工業(yè)高等專(zhuān)科學(xué)校美術(shù)系?，F(xiàn)在工作和生活在上海。施勇作為中國(guó)較早從事裝置與影像媒介的代表人物之一。自1993年起，他的作品就在國(guó)內(nèi)外被廣泛展出。早期創(chuàng)作致力于揭示現(xiàn)實(shí)內(nèi)部的意識(shí)形態(tài)；九十年代開(kāi)始關(guān)注改革開(kāi)放神話下的當(dāng)代上海的轉(zhuǎn)型概念，繼而引向更宏觀的全球化，消費(fèi)文化等層面。2006年，從作品“2007沒(méi)有卡塞爾文獻(xiàn)展”始，施勇將質(zhì)疑的目光落實(shí)于藝術(shù)界本身，思考如何通過(guò)“擱置”創(chuàng)作來(lái)予以抵抗。2015年個(gè)展“讓所有的可能都在內(nèi)部以美好的形式解決”，既是之前創(chuàng)作的延續(xù)，又傳達(dá)了其未來(lái)意圖在表面“抽象”之下展開(kāi)對(duì)于“控制”的反思與實(shí)踐。
  Shi Yong(born 1963)is a representative figure of contemporary Chinese artists who first started working with installation and video media.Since 1993,his works have been widely exhibited both in China and abroad.His artworks cover a wide range of mediums including performance,video,and installation.Shi Yong’s earliest artistic practices focused on revealing the subtlety of our reality and the inherent tension of the"system".At the end of the 1990s,Shi began focusing on the idea of Shanghai’s transformations under the Chinese economic reform,which contributed to a discussion of globalization and consumerism.Since 2006,with the piece"Sorry,There will be no Documenta in 2007",he turned his attention to the art world that he's been involved in,pondering how to provide a more rational perspective through his creative works.Shi Yong’s 2015 solo exhibition"Let All Potential Be Internally Resolved Using Beautiful Form"continues his art practice,disclosing his intention to expand the reflection and practice of“control”under the seemingly“abstract”future.
  邵舒，“和”美術(shù)館執(zhí)行院長(zhǎng)，2011-2016年，工作于上海龍美術(shù)館浦東館、西岸館、重慶館。主要負(fù)責(zé)展覽策劃與執(zhí)行，日常運(yùn)營(yíng)事務(wù)管理及新館建設(shè)籌備。2016年，加入廣東和美術(shù)館，任執(zhí)行館長(zhǎng)。在籌備與建設(shè)期間，協(xié)同安藤忠雄事務(wù)所，主持工程建設(shè)項(xiàng)目，進(jìn)行預(yù)算管理、結(jié)構(gòu)及專(zhuān)業(yè)功能優(yōu)化等工作。自2020年和美術(shù)館正式向公眾開(kāi)放起，主要從事組織機(jī)構(gòu)運(yùn)營(yíng)策略，收藏項(xiàng)目研究及展覽策劃工作。主要參與及策劃的項(xiàng)目有：《世間風(fēng)物——和美術(shù)館開(kāi)館大展》2020；《超越：安藤忠雄藝術(shù)人生》2021；《貝納維內(nèi)：?jiǎn)瘟x游戲》2021；《換了人間：從苦瓜詩(shī)意到山河新貌——和美術(shù)館藏中國(guó)近現(xiàn)代作品展》2021；《On/OFF：回到未來(lái)》2022；《盡精微致廣大——徐悲鴻臨摹倫勃朗〈婦人倚窗像〉修復(fù)研究展》2022；《倪有魚(yú)：穹頂與刻度》；《肖像：張恩利個(gè)展》2023；《羅尼霍恩：亦夢(mèng)非夢(mèng)》2023，《南方故事》2023。
  From 2011 to 2016,Shaw worked for Long Museum in Shanghai,engaged in the operation and management,as well as the curation and implementation of art exhibitions.
  In 2016,he joined He Art Museum as executive director,supervising the management and inauguration of the museum,working with architect Tadao Ando to oversee the architectural project,from budgeting control,and construction engineering,to space optimization.
  Since He Art Museum opened in 2020,Shaw has continued to develop the strategic vision for the institution,research and collection,and curatorial programs.
  He curated or co-curated over twenty exhibitions at the museum including:From the Mundane World(2020),Beyond:Tadao Ando and Art(2021),Bernar Venet:Another Language for Painting(2021),Transformation:From Poetic to Realistic(2021),ON|OFF:Carousel of Progress(2022),Woman by the Window of Xu Beihong:A Conservation Exhibition(2022),Ni Youyu:Dome and Scale(2022),Off the Beaten Track:A Modern Chinese Collection Exhibition,Zhang Enli:Portrait(2023),Roni Horn:A dream dreamt in a dreaming world is not really a dream...but a dream not dreamt is(2023),Atmospheric Column by Olafur Eliasson,A 3rd Anniversary Special Project(2023),Tales of the South(2023)etc.
  徐文，畫(huà)廊主理人。1985年出生于天津，多年來(lái)，他一直在研究全球當(dāng)代藝術(shù)市場(chǎng)，在許多大型機(jī)構(gòu)擔(dān)任講師，并在國(guó)際許多重要的藝術(shù)博覽會(huì)、雙年展和著名藝術(shù)家博覽會(huì)嶄露頭角。
  Xu Wen Kenna,director of KennaXu Gallery.Born in Tianjin in 1985,he has been studying the global contemporary art market for many years,serving as a lecturer in many large institutions and prominently featured in many important international art studios,biennales and famous artists.
  俞可，現(xiàn)為四川美術(shù)學(xué)院教授，中國(guó)美術(shù)家協(xié)會(huì)策展委員會(huì)委員。
  Yu Ke is currently a professor at Sichuan Academy of Fine Arts and a member of the Curatorial Committee of the Chinese Artists Association.
  繪畫(huà)藝術(shù)學(xué)院年展將通過(guò)開(kāi)放性、多維度、國(guó)際化的展覽模式，將廣州美術(shù)學(xué)院繪畫(huà)藝術(shù)學(xué)院培養(yǎng)的青年藝術(shù)家整體推向社會(huì)，實(shí)現(xiàn)藝術(shù)知識(shí)生產(chǎn)與經(jīng)濟(jì)社會(huì)發(fā)展的互聯(lián)互通，促進(jìn)學(xué)院“產(chǎn)學(xué)研用”的融合創(chuàng)新，推動(dòng)大灣區(qū)藝術(shù)生態(tài)持續(xù)健康的高質(zhì)量發(fā)展。

  金獎(jiǎng)三萬(wàn)！首屆廣州美術(shù)學(xué)院繪畫(huà)藝術(shù)學(xué)院年展公告

https://mp.weixin.qq.com/s/kfn9eeRZ_UFZvpIIHaacoQ

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